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Morgan is a multi award-winning designer for the stage

 

As well as credits for numerous plays and musicals in London’s West End, he was worked extensively around the world.

 

Companies Morgan has worked for include;  The Really Useful Group, Disney Theatrical, Cameron Mackintosh, Michael Harrison Entertainment,

The National Theatre, RSC Royal Shakespeare Company, Opera Australia, Crossroads Live, ATG Ambassador Theatre Group,

Jamie Wilson Productions, Fiery Angel, Frantic Assembly, Phil McIntyre, Mark Goucher Productions, David Pugh, Kenny Wax, Kevin McCollum, SMG Shanghai Media Group, Menier Chocolate Factory Productions, The Nottingham Playhouse, Sheffield Crucible, Chichester Festival Theatre, Runaway Entertainment, Princess Cruises, Royal Caribbean International

 

Morgan graduated from LIPA with a First Class Honours degree in Performance Design having received the Sennheiser Award for Theatre and Performance Design and The Philip Holt Trust Award

Morgan's design for WONDERLAND at the Nottingham Playhouse and Northern Stage won the UK Theatre Award for BEST DESIGN  at the Nottingham Playhouse

Morgan's design for Disney's NEWSIES won the 2024 BEST OF LONDON THEATRE AWARD for BEST SET DESIGN  

Morgan's design for Disney's NEWSIES has been nominated for BEST SET DESIGN and BEST NEW MUSICAL at 2024 WhatsOnStage Awards

 

SISTER ACT has been nominated for BEST SET DESIGN at 2022/23 WhatsOnStage Awards

SISTER ACT is nominated for BEST REVIVAL OF A MUSICAL at the 2023 Olivier Awards

CAT ON A HOT TIN ROOF won the Olivier Award for BEST REVIVAL OF A PLAY

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, ROOM ON THE BROOM, MIDNIGHT TANGO and DANCE TIL DAWN were all nominated at the Olivier Awards for BEST REVIVAL, or BEST ENTERTAINMENT

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★★★★★ METRO

★★★★★ BRITISHTHEATRE.COM

★★★★★ THEATRE WEEKLY

★★★★★ THE SUN

★★★★ THE TELEGRAPH

★★★★ THE GUARDIAN

★★★★ EVENING STANDARD

"A terrific revival" - Michael Riedel,

 NEW YORK POST

"The best Joseph yet!" THE i

Morgan Large's design is..a masterpiece of delicious kitsch" - THE MAIL

"this is a dream of a production"

"spectacular staging" - MARK SHENTON, LONDON THEATRE

"Morgan Large (who has been carving out a name for himself over the past few years in a succession of wonderfully accomplished projects that started small and have rapidly got larger and larger) is here employed to employ his visual genius on the gargantuan stage of the Palladium.  He does so with an intellectual rigour, panache and sense of fun that stimulates all levels of your mind and senses, while remaining – even at its most opulent – as simple and innocent as possible." - BRITISHTHEATRE.COM

  

"The design sort of builds from nothing; at the start it’s a couple of sheets hung up by the corners to look like sand dunes. By the interval, we’ve got 10ft tall, gold-plated, guitar-playing sphinxes – the power of the children’s imagination" - THE STAGE

"Large treats the stage like a playground for the biggest game of dress-up in the world. And obviously there are the costumes – especially a gorgeously intricate dreamcoat" - THE STAGE

 

 

 

 

Morgan Large’s costumes and sets look great; with every colour under the sun being seen on that stage at some point it’s a feast for the eyes, particularly the Vegas-inspired depiction of Egypt

MUSICAL THEATRE REVIEW

 

 

Designer Morgan Large (who has been carving out a name for himself over the past few years in a succession of wonderfully accomplished projects that started small and have rapidly got larger and larger) is here employed to employ his visual genius on the gargantuan stage of the Palladium.  He does so with an intellectual rigour, panache and sense of fun that stimulates all levels of your mind and senses, while remaining – even at its most opulent – as simple and innocent as possible"A visually stunning treat thanks to set and costume designer Morgan Large - BRITISH THEATRE GUIDE

Morgan Large’s set and costume design is astounding – you will be hard-pressed to find a production as bright and beautiful as this one

Morgan Large’s design is a feast for the eyes - POCKET SIZED 

The costume design by Morgan Large is eye-wateringly brilliant - LOUDERTHANWORDS

 

ANDREW LLOYD WEBBER AND TIM RICE'S 

JOSEPH AND THE AMAZING

TECHNICOLOR DREAMCOAT

THE LONDON PALLADIUM [2019+2021]

UK TOUR 2022-23

AUSTRALIAN TOUR  2022-23

TORONTO 2022-23

UK TOUR 2024-2025

nominated BEST REVIVAL OF A MUSICAL OLIVIER AWARD 2020

produced by MICHAEL HARRISON ENTERTAINMENT

directed by LAURENCE CONNOR 

choreography by JOANN M. HUNTER

set, costume design and puppet design  by MORGAN LARGE 

lighting design by  BEN CRACKNELL

sound design by  GARETH OWEN

starring ALEXANDRA BURKE, LINZI HATELY, SHERIDAN SMITH, JASON DONOVAN

and JAC YARROW

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"The Design Of The Year"

Mark Shenton

★★★★★ WHATSONSTAGE

"Morgan Large's thrust stage designs, replete with gangways, huge hanging glass windows and more scaffolding than a West Side balcony scene, conjure up a jungle-gym auditorium that is enthralling and immersive"

★★★★★ ALL THAT DAZZLES

The set design by Morgan Large is breathtakingly stunning. Vast and meticulous in its detail, it is the kind of set that makes you gasp the moment you set foot inside the venue. The sheer scale of it and the care and attention that has gone into it is like nothing I have ever seen before, and the fact it still manages to convey an intimate story while displaying some of the grandest staging choices is a testament to the sheer brilliance of it. A case of one of the greatest feats in set design I have ever seen, if not THE greatest

The Troubadour becomes set designer Morgan Large’s creative playground and we are OBSESSED with the end product. It heightens the production and is a delight to see. 

 

DISNEY'S

NEWSIES

TROUBADOUR WEMBLEY PARK

Winner BEST SET DESIGN at the Best Of London Theatre Awards 2024 

Nominated for BEST SET DESIGN 2024 WhatsOnStage Awards

Nominated for BEST NEW MUSICAL 2023 WhatsOnStage Awards

produced by DISNEY THEATRICAL &

RUNAWAY ENTERTAINMENT​

directed by MATT COLE

set design by MORGAN LARGE

lighting design by MARK HENDERSON

costume by NATALIE PRYCE

sound by TONY GAYLE

musical direction and dance arrangements by

NIGEL LILLEY

orchestrations by SIMON HALE

photography by JOHAN PERSSON

 

 

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"Their bodies gleam, small and insignificant against the monumental rock in Morgan Large’s superb design"

  - Lyn Gardner, The Guardian

"Morgan Large’s set is a revelation" - British Theatre Guide

"The Wonderland set designed by Morgan Large is a wonder in itself" - East Midland's Theatre *****

"Morgan Large’s set is magnificent" - Exuent Magazine

"Designer Morgan Large has created an impressively authentic coalface" -Pat Ashworth, The Stage

 "Morgan Large's vast coal face conjures the awesome scale of the black voids beneath"  -What'sOnStage.com ****

 

BETH STEEL'S

WONDERLAND

NOTTINGHAM PLAYHOUSE

Winner of BEST SET AND COSTUME DESIGN 

UK Theatre Award

directed by ADAM PENFORD

movement by NAOMI SAID

lighting by JACK KNOWLES

 

An interview with The Nottingham Playhouse discussing the design process for Wonderland

 

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SISTER ACT

It ends up as a wildfire trip through a kaleidoscopic Philadelphia (none of the dreary greys of the original film) on designer's Morgan Large's glittery menagerie of set pieces. Particular kudos goes to the slick transition from convent to hell-themed dive bar. Large also makes the most of the occasional chance to go beyond a stage full of dull habits, with Rowe's two rapid-fire costume changes providing delight to audiences during "I Could Be That Guy".

WHATSONSTAGE

It’s great work all round from set and costume designer Morgan Large

TIME OUT

Expertly directed by Bill Buckhurst, with fabulous costume and set design by Morgan Large, this Sister Act is the ultimate production of the show.

★★★★★

WEST END WILMA

 

Much of the success of the gags depends on the speed of execution so Morgan Large’s adaptable set is a real asset. The set switches from a decaying gothic church to a seedy bar or full-on disco within seconds and all are completely convincing. The eye-popping costumes, also designed by Large, contribute to the brightly exaggerated mood of the show. - BRITISH THEATRE GUIDE

Morgan Large as set and costume designer deserves more than a special mention. The way the set effortlessly turned from nightclub to police station to convent was absolutely spectacular. The costumes at the end were simply fantastic. -  NORTHWESTEND

 

The show’s design has a remarkable attention-to-detail. A lot of time and money has gone into making this production a sparkling spectacle. - THE MANCUNIAN

ALAN MENKEN, GLENN SLATER AND DOUGLAS CARTER BEANE'S 

SISTER ACT

CURRENTLY PLAYING

DOMINION THEATRE, WEST END AND UK TOUR

 

HAMMERSMITH EVENTIM APOLLO 2022

UK TOUR 2022-2024

Nominated WHATSONSTAGE AWARD 2022

-Best Set Design

 

Nominated BEST REVIVAL OF A MUSICAL 2023 Olivier Awards 

Starring  Beverley Knight, Jennifer Saunders, Ruth Jones, Keala Settle, Clive Rowe, Leslie Joseph and Sandra Marvin 

 

directed by BILL BUCKHURST

set and costume design by MORGAN LARGE

choreographed by ALISTAIR DAVID

lighting by TIM MITCHELL

 

 

MORGAN LARGE BEST SET DESIGN WHATSONSTAGE AWARDS
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"Elegantly designed by Morgan Large" - THE STAGE

The beautifully striking and atmospheric set by Morgan Large"  -THE TIMES

"An elegantly simple design by Morgan Large" - EVENING STANDARD

FRANK AND PERCY

by BEN WEATHERILL

starring SIR IAN MCKELLEN

and ROGER ALLAM

 

THE OTHER PALACE,

THEATRE ROYAL WINDSOR, 

THEATRE ROYAL BATH, 

directed by SEAN MATHIAS

design by MORGAN LARGE

lighting by NICK RITCHINGS

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STEPHEN SCHWARTZ'S

WICKED

TEATRO SANTANDER, SAO PAULO

directed by JOHN STEFANIUK

set and costume design by MORGAN LARGE

choreographed by FLORIANO NOGUEIRA

lighting by BEN CRACKNELL

video design by AARON RHYNE

sound by GASTON BRISKI

 

 

 

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ANDREW LLOYD WEBBER AND TIM RICE'S

EVITA

PARQUE VILLA-LOBOS 

SAO PAULO, BRAZIL

directed by JOHN STEFANIUK

choreographed by FLORIANO NOGUEIRA

lighting by BEN JACOBS

sound by GASTON BRISKI

 

 

 

Strength of feeling is transmitted by Morgan Large's design and Paul Keogan's lighting which flushes colourful warmth into clinic whiteness.  Glass screens, wheeled around the stage like transparent, elongated hospital trolleys, divide mother and son, sister from sister.  They close in on the woman who, wine bottle in hand, is struggling with childhood memories.  They make smudgy silhouettes of people standing behind them, who seem to have vaporised into ghosts - The Observer

 A stark and simple set of identical moving frosted panels is used (along with clever lighting) to create many different environments: a hospice, nightclub, London flat, a taxi cab. The illusion is remarkable and engrossing - The Telegraph

Morgan Large and lighting designer Paul Keogan - a series of light boxes that spin round as the actors each tell their stories - provides the perfect claustrophobic backdrop for their tales. - Liverpool Echo

SALLY ABBOTT'S

I THINK WE ARE ALONE

FRANTIC ASSEMBLY

directed by KATHY BURKE and SCOTT GRAHAM

lighting by PAUL KEOGAN

sound ELLA WAHLSTROM

TELL ME ON A SUNDAY

by ANDREW LLOYD WEBBER AND DON BLACK

 

MAJESTIC THEATRE, SHANGHAI + CHINESE TOUR 2018/19

produced by THE REALLY USEFUL GROUP + SMG LIVE

 

directed by PAUL WARWICK GRIFFIN

design and video design by MORGAN LARGE

lighting by TIM LUTKIN

 

 

"The visual style of the show is predicated by a gloriously sumptuous stage design by the ingenious Morgan Large" - BritishTheatre.com

 

"The director exploits his claustrophobic stage as a place of mystery and fear, thanks in no small measure to Morgan Large's elegant conceal/reveal designs" -WhatsOnStage

"Beautifully designed by Morgan Large" - Mark Shenton

​"Morgan Large’s pared-back designs whisk us efficiently through a variety of dark, lowering locales." - Fiona Montford , Evening Standard

"Southerland’s production is as strong as his reputation now demands...a set with sliding panels that allows characters to come on and off unnoticed, the 19th century really comes alive in this production; it’s all gothic chill and thick mist." - Tim Bano, The Stage

 

WILKIE COLLINS'S

THE WOMAN IN WHITE

by ANDREW LLOYD WEBBER, DAVID ZIPPEL and CHARLOTTE JONES

 

CHARING CROSS THEATRE

nominated for BEST SET DESIGN OFF-WEST END AWARD 2018

 

directed by THOM SOUTHERLAND

choreography by CRESSIDA CARRE

lighting by RICK FISHER

"Morgan Large’s elegant louvered set" - Henry Hitchings, Evening Standard

"Morgan Large's handsome slatted set makes Brick's bedroom resemble something akin to a cage, a space ripe for eavesdropping. And since the walls are permeable, nothing stays secret for long." - Natasha Tripney, Theatremania

"The action has been updated to the 1980s and takes place in a luxurious bedroom complete with four-poster bed. This is created in a characteristically American style by scenic designer Morgan Large" - Phillip Fisher, British Theatre Guide.

CAT ON A HOT TIN ROOF

by TENNESSEE WILLIAMS

 

NOVELLO THEATRE, WEST END

WINNER of BEST REVIVAL OF A PLAY' OLIVIER AWARD

 

directed by DEBBIE ALLEN

Starring: JAMES EARL JONES,  PHYLICIA RASHAD, ADRIAN LESTER and SANAA LATHAN

“In Morgan Large's striking design, it unfolds fluently on the thrust stage which has become an octagonal, geometrically tiled piazza, with the characters emerging through the double doors of a monumental city wall.” - Paul Taylor, Independent

​

“Daniel Evans is particularly well served by his designers, with Morgan Large providing an imposing stone-covered piazza on an octagonal stage that has the facade of a building behind it, and Lucy Carter’s lighting.” Mark Shenton, The Stage.

OTHELLO

by WILLIAM SHAKESPEARE

SHEFFIELD CRUCIBLE

 

directed by DANIEL EVANS

nominated BEST REGIONAL PRODUCTION

WhatsOnStage Awards

Starring: CLARKE PETERS, DOMINIC WEST and LILY JAMES

"Elegantly designed by Morgan Large" - THE STAGE

The beautifully striking and atmospheric set by Morgan Large"  -THE TIMES

AN ENEMY OF THE PEOPLE

by HENRIK IBSEN, adapted by REBECCA LENKIEWICZ

 

NOTTINGHAM PLAYHOUSE

 

directed by ADAM PENFORD

design by MORGAN LARGE

lighting by TINA McHUGH

starring ALEX KINGSTON

“The design exquisite (the architectural sets are by Morgan Large)” - Mark Shenton, The Stage

"Is visually to die for" - Attitude

“An exquisitely operatic set by Morgan Large” -Julian Eaves, BritishTheatre.com

"The production supremely elegant with a misty gothic set by Morgan Large" - RemoteGoat

 

“The atmosphere is infinitely helped by Morgan Large's simple but effective set, conjuring an Italian lakeside villa with a few moveable frames” - Sarah Cromton, What’sOnStage.

 

“The production has clear virtues: a handsome design by Morgan Large” - Henry Hitchens, Evening Standard

 

DEATH TAKES A HOLIDAY

by MAURY YESTON

CHARING CROSS THEATRE

nominated for BEST SET DESIGN OFF-WEST END AWARD 2018

 

directed by THOM SOUTHERLAND

interview with WhatsOnStage.com discussing DEATH TAKES A HOLIDAY

Fame The Musical gives off an impressive look thanks to Morgan Large's design  - THEATRE WEEKLY

Morgan Large’s design for the production was the perfect, gritty relief for a show with such extravagant musical numbers. The set flawlessly transformed - North West End 

The production is sleekly designed by Morgan Large

Mark Shenton, The Stage

The performance is poignantly framed by Morgan Large's set design with a mosaic of headshots of students past and present

BROADWAYWORLD.COM

FAME

 

 

UK TOUR and WEST END

 

Directed and Choreographed by NICK WINSTON

 

Set and Costume design by MORGAN LARGE

Watch this production on BROADWAY HD

 

 

"The costumes by Morgan Large are wonderful"

Tim Bano, The Stage

"The sets and costumes by Morgan Large beautifully create the  whimsical world of the show"

BroadwayWorld.com

"A treat to look at in Morgan Large' s handsome design"

Mark Shenton, London Theatre

RUTHLESS!

 

ARTS THEATRE, WEST END

 

STARRING TRACEY BENNETT, JASON GARDNER AND HARRIET THORPE 

produced by DAVID BABANI

and MENIER CHOCOLATE FACTORY

 

directed by RICHARD FITCH

choreography by REBECCA HOWELL

Lighting by TIM LUTKIN

Designer Morgan Large hits the right note with the set and costumes - London Theatre

 

One of the most impressive aspects of the show was undoubtedly the set design that was cultivated by Morgan Large - British Theatre Guide

ROCK OF AGES

 

 

UK + EUROPEAN  TOUR 2018/19

New tour announced for 2021

 

Directed and Choreographed by NICK WINSTON

 

Set and Costume design by MORGAN LARGE

Lighting by BEN CRACKNELL

Sound by BEN HARRISON

"Ingeniously and intricately designed by Morgan Large" - London Theatre



“There is a clever setting of a decrepit bar by Morgan Large” - Clement Crisp, Financial Times​

“…a stylish carpaccio-coloured set (by Morgan Large)” - Daily Telegraph

“The action is set in a seedy downtown milonga, recreated with great style and atmosphere by Morgan Large” - Louise Levene, Daily Telegraph.

“Morgan Large delivers another of his striking sets” Benet Catty, WhatsOnStage

“Set in a magnificently seedy Buenos Aires nightclub” - Neil Norman, Daily Express

VINCENT AND FLAVIA

MIDNIGHT TANGO 2012 - 2014

TOUR/WEST END, ALDWYCH & PHOENIX

(nominated BEST ENTERTAINMENT OLIVIER AWARD)

 

DANCE 'TIL DAWN 2014-2015 

TOUR/WEST END, ALDWYCH

(nominated BEST ENTERTAINMENT OLIVIER AWARD)

 

THE LAST TANGO 2015-2016

TOUR

 

TANGO MODERNO 2017-2018

TOUR

directed by KAREN BRUCE

And Morgan Large's woodland set, in which twiggy brooms sprout from moonlit trees, offers a suitably spooky picture-book setting. A sweet little enchantment.

TIME OUT

Children’s theatre doesn’t come much better than this.★★★★

THE STAGE

55 minutes of high-energy treat… (Reviewer’s child: ‘I want to see it again. Now please, mummy.’)

 

SUNDAY TIMES★★★★

ROOM ON THE BROOM

by JULIA DONALDSON

currently touring the UK until 2023

WORLDWIDE (includes four West End seasons, multiple UK tours, USA tours, Asian tours, Sydney Opera House and Glastonbury Festival) - currently playing The Lyric, West End.  Scheduled to play UK and Malta in 2020.

nominated  BEST ENTERTAINMENT OLIVIER AWARD

 

directed by OLIVIA JACOBS

ROOM ON THE BROOM - OLIVER AWARD

other selected work

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